Post by imi339 on Sept 15, 2007 16:32:22 GMT 1
A 4alanis.com -on találtam a hírt (nem tudom lefordítani csak értettem ) :
Reading the following interview with Guy Sigsworth, it looks like Alanis has found her new Glenn Ballard. The new album seems to be ready to be released, or it’s quite finished, at last. Thanks to Shirley for the link.
____________________________________
“Which project are you working on right now?”
Guy Sigsworth: “We’ve just finished the new Alanis Morissette album. She’s asked us to do a few more tracks - B-sides and exclusives with her. She’s a dream to work with - she’s totally into my sound world. If I make a noise that makes me feel a certain way, I know it’s going to make her feel that way too. I wrote twenty-five songs with her. We recorded thirteen for the album, and we’re doing eight more now. She can write a song so quickly. It’s truly amazing. On one song I opened Reaktor (Akkord), she walked in, said, ‘Oh, that’s pretty’, and we started jamming against it. 20 minutes later we had a song.”
Andy Page “Software. We’ve both been working that way for years. For me nearly ten years now. There’s so much more control with software. A great instrument is a great instrument, it doesn’t matter if it’s hardware or software, these days what is in the computer is so good. It’s also a convenience thing - with Alanis we’d be working on twelve songs at once and if you need to load a song up at once all the sounds are there and you can just continue. It’s a completely different world, mindblowing. I just rock up with my laptop and I’ve got all my sounds.”
“Like Guitar Rig, which you often use?”
GS: “It just sounds so good. With guitars we always used to keep a D.I. backup recording so we could re-amp later. But once we started using Guitar Rig the sounds were so vibey we just committed to them immediately. We knew we weren’t going to change our minds about them.”
AP: “There was one particular Alanis song with moshing distorted guitars. Usually we’d double-track left and right in that kind of song, to get the “wall-of-noise”. But the sound of one guitar coming out of Guitar Rig (and fed into two different cabinet setups) was so big we really didn’t need an overdub. One was plenty big enough. Guitar Rig is really playable. I’ve spent quite a lot of time just making my own sounds, the sort of things that I would usually use.”
GS: “It’s not geeky. You don’t need to refer to the manual. Perfect for guitarists! The quality of the emulations - NI have stolen the lead. We can concentrate on the part, because we’re getting the sound so easily.”
AP: “And if we need to, we can change the sound of the speaker cabinet even at mix down. Knowing that makes for peace of mind.”
Már annyira várom!!!!
Itt a teljes cikk: www.arbiter.co.uk/mt/artists/guy_sigsworth_290807.htm
Reading the following interview with Guy Sigsworth, it looks like Alanis has found her new Glenn Ballard. The new album seems to be ready to be released, or it’s quite finished, at last. Thanks to Shirley for the link.
____________________________________
“Which project are you working on right now?”
Guy Sigsworth: “We’ve just finished the new Alanis Morissette album. She’s asked us to do a few more tracks - B-sides and exclusives with her. She’s a dream to work with - she’s totally into my sound world. If I make a noise that makes me feel a certain way, I know it’s going to make her feel that way too. I wrote twenty-five songs with her. We recorded thirteen for the album, and we’re doing eight more now. She can write a song so quickly. It’s truly amazing. On one song I opened Reaktor (Akkord), she walked in, said, ‘Oh, that’s pretty’, and we started jamming against it. 20 minutes later we had a song.”
Andy Page “Software. We’ve both been working that way for years. For me nearly ten years now. There’s so much more control with software. A great instrument is a great instrument, it doesn’t matter if it’s hardware or software, these days what is in the computer is so good. It’s also a convenience thing - with Alanis we’d be working on twelve songs at once and if you need to load a song up at once all the sounds are there and you can just continue. It’s a completely different world, mindblowing. I just rock up with my laptop and I’ve got all my sounds.”
“Like Guitar Rig, which you often use?”
GS: “It just sounds so good. With guitars we always used to keep a D.I. backup recording so we could re-amp later. But once we started using Guitar Rig the sounds were so vibey we just committed to them immediately. We knew we weren’t going to change our minds about them.”
AP: “There was one particular Alanis song with moshing distorted guitars. Usually we’d double-track left and right in that kind of song, to get the “wall-of-noise”. But the sound of one guitar coming out of Guitar Rig (and fed into two different cabinet setups) was so big we really didn’t need an overdub. One was plenty big enough. Guitar Rig is really playable. I’ve spent quite a lot of time just making my own sounds, the sort of things that I would usually use.”
GS: “It’s not geeky. You don’t need to refer to the manual. Perfect for guitarists! The quality of the emulations - NI have stolen the lead. We can concentrate on the part, because we’re getting the sound so easily.”
AP: “And if we need to, we can change the sound of the speaker cabinet even at mix down. Knowing that makes for peace of mind.”
Már annyira várom!!!!
Itt a teljes cikk: www.arbiter.co.uk/mt/artists/guy_sigsworth_290807.htm